Thank you! Yes those dark circles/half circles are movement arrows (traveling). They can be more detailed; these are simplified.
Actually I videotaped it. I don't do shorthand DanceWriting anymore!
I have lots of class work, even some notated Cecchetti technique, altho I'm sure by now the curriculum has changed again.
I'll send you notes from Stanley Holden Ballet Academy center work one day in class (again, this is receptive -- expressive wasn't "born" yet :c)
BTW the old (10 yrs ago?) SW program allowed me to make little tiny dancers; sadly the new program doesn't work that way!
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Beautiful and clearly written Nancy.
The movement sign on the music bar in between the figures, is that used when traveling.? . Since I have been using arrows I forgot what it stands for. I remember the sign though
I have to spend some time to search for my instruction book.
You did a great job taking it from T.V.
I don't think I am that fast anymore. I use to sit behind a choreographer and speed write on a roll of paper when there was no Video readily available, a long, long time ago.
I'll see if I can find some more of my old notes of class work that travels. Just for the sake of comparisen. Do you have any?
On 2013-08-26, at 4:04 PM, Romero wrote:
Okay, here's 3 pages (I hope) of a solo from Nutcracker Ballet (all receptive, since it was on TV):
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Oh I am glad you can read it Nancy. No you haven't sent any of yours. That is O.K. although I am anxious to see it.
On 2013-08-26, at 2:32 PM, Romero wrote:
I can read it easily Tini! Thank you. Did I send you some of my work? Forgive me that I can't remember.
Hello Nancy and Valerie
Below is a plie exercise from the ballet Work-out. I hope you can read it.
I only use facing arrows instead of the in and out shadow circles. for facing directions. It works a bit faster for me.
It did not come over to well eh. Anyway I am glad I learned to scan again. It has been a long time. If you are interested I will send some centre work. I hope to get better in scanning though.
On 2013-08-06, at 3:07 PM, Romero wrote:
How nice to hear from you, and that you know dance writing. I also learned the Labanotation method, but since I already knew dance writing, I quickly forgot Laban! Notation was a required subject when I was a dance major in college, and they did not accept dance writing at the time! Only learned a little of Benesh -- they had a good idea but incomplete. Dance writing - excellent! -- I have many, many pages of different choreographers' combinations from ballet classes, as well as a company barre from ABT, Ceccheti grades, & some notated solos from television.
I also found out about dance writing in 1975. Wondering, when you use dance writing, do you write from a receptive or expressive view? I have both.
If you'd like, maybe we could scan some of our work for educational purposes, or just to compare notes.
And feel free to write whenever you like! Most of the time I am at this computer, translating Scripture into American Sign Language.
My name is Tini Pel and have been dance writing for a long time, so great to read that you sign-write dance , Is it possible to correspond together.
I have first been introduced to dance-writing by Valery in Denmark during the 7-tees and fell in love with it. My first introduction in dance writing was via Laban. I switch over to Benesh a simpler version, but when I saw Valerie Sutton explaining it in Denmark, I was sold.
What a clear, quick, readable her method is. I have thought it to many students in my years of teaching ballet when we did not have recorders. Then later it was only used for a quick reminder during exams times.
I have moved several times from town to town and lost my instruction books. I did some exams in writing even those result have been lost during moving. I still have some class work and often look back at it for ideas.
I hope you have time to reply,
On 2013-08-06, at 10:12 AM, Romero wrote:
Thank you Maria!
This is AMAZING! the amount of SignWriting literature is incredible! :)
Well done to all involved!!